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*What is Shelley’s philosophy implicit in the flight of the bird? On the other hand, Wordsworth’s skylark in his poem To a Skylark is an inhabitant of both earth and ether: “Type of the wise who soar, but never roam; True to the kindred points of Heaven and Home! Ans: The poet is here desperate to find out the inspiration of those things which remain behind the Skylark’s production of pure joy. The skylark can sustain a loud, merry musical note at great height while flying, and only while flying, and they sometimes fly so high that can only be heard and not seen. Answer: The trees in the poem are in the pots and pans. The moon is often envisaged as a female entity, which inspired poems on the theme of her gaze as she looks down on Earth benignly. Written in a short single-stanza, it is a narrative poem in which the speaker is talking about how “Long walks at night -” are “… good for the soul”. 17. Their roots spread to free themselves from the cracks in the veranda door. (author’s craft/ expressing an opinion) Answers may vary. (i) Where are the trees in the poem? The archetype of fountain as a symbol of poetic inspiration comes in Shelley’s mind along with the beautiful forms of nature, ‘fields’, ‘waves’, ‘mountains’ and so on. Or, Why does the poet compare the bird to a poet? As the flight of birds. Or, Why does Shelley introduce the image of fire in the poem? The bird is like the rays of the moon that rain down from Heaven. What the birds share, of course, is their invisibility, their reduction to pure bodiless voice. . **How does Shelley turn the bird’s song into a source of poetic inspiration? This change is caused by the trees that have made their way from her home to outside. Ans: Shelley here stretches out his imagination further to compare the skylark to a maiden confined in her secret chamber. The reason he traces is human adherence to “the ground” or the material world opposed to the spiritual world as Plato taught. The next stanza provides the movement and activity of the bird, and this in turn becomes applicable to the whole poem: And singing still dost soar, and soaring ever singest.”. (ii) What does the poet compare their branches to? The greatness with which the great people die is the ‘grandeur of the dooms of the mighty dead.’ The poet compares this importance with that of the beautiful things on account of the fact that the great people die for giving happiness to the rest of the world. Likewise, the first line of the poem contains two images, of a … The poet describes the sea as Grey, land as long and black and the moon as yellow, large and low. In the eighth stanza Shelley likens the bird to “a poet hidden/In the light of thought”, and here we come to understand something of his intention. You can get automatic updates on our new contents. The first stanza of the poem' meeting at night' suggests the lover's excitement for the secret journey. They cast a better view and hide the woman's real appearance. Shelley’s skylark is an inhabitant of purely ethereal arena and is a symbol of perfection. ***“Till the world is wrought…it heeded not”. But the bird is not hidden in “the light of thought”. **What is the difference between Shelley’s skylark and that of Wordsworth? The poet compares their branches to the newly discharged patients. The poet feels that the moon has grown tired of climbing the heaven and looking upon the earth continuously. ***“…the scorner of the ground”—Why is the skylark called so? The late winter moon looks hazy and obscure. Poe commences the poem by stating that science is, in fact, the daughter or the product of the old time. To him the bird is a bodiless embodiment of joy, and that is why he seeks inspiration of “sweet thoughts” in its song. 3) when does the lover make his journey? It was published in his book “Mockingbird Wish Me Luck” which came out in 1972. *Explain the simile “Like a cloud of fire”. More than 100 years earlier, Jules Verne had described an expedition that very closely resembled the 1969 mission. Small twigs stiffen the long-cramped boughs. They both include examples of similes and metaphors. That Shelley calls the bird’s art “Profuse strains of unpremeditated art” often gives a clue to the critics to call Shelley’s poem itself an exercise of unpremeditated art. The point of reference takes the safe propagandas between the visible and the invisible which may have the philosophical dimension of the dialectics of the material and the spiritual: It even elicits the sense of existence in bodiless beauty, beauty, as the idealist philosophers would believe, is essentially bodiless. It seems to the poet that the bird, while singing, soaring high above the ground, has lost its physical existence and has become a spirit. A poem should be wordless. thank you very very very much. Their roots work all night to disengage themselves from the cracks in the veranda floor. . For, above all, Shelley is concerned here with “an unbodied joy whose race has just begun”. Now the bird’s perfection of arts is seen in contrast to the imperfection of human life and arts as well. 4) How does the poet describe the sea land and the moon.? Shuidiao Getou is the name of a traditional Chinese melody to which a poem in the cí style can be sung. Therefore we are to take the part as a symbolic representation of bodiless audible beauty that strives, like the one in Plato’s Phaedrus, up towards perfection. Q. Ans: Wordsworth’s skylark in his poem “To the Skylark” is a creature of flesh and blood, while Shelley’s skylark is a philosophical abstraction. The Moon. 6. Explain the expression “profuse strains of unpremeditated art ”. This is where we come to the difference of attitude of the two Romantic poets, Shelley and Wordsworth. The tinklings of materialism can’t impress her. In Livorno in June of 1820, according to Mary Shelley, on a beautiful evening, she and Shelley heard the carolling of a lark, and that inspired the poet to compose the poem. 4. a. canvass​, Define the process of meditationElw elwChab bhool dye tya ich Masoom ko ? Way back in antiquity, the Greek poet … To conclude, it is perhaps natural for the great souls to feel what Goethe’s Faust tells his student: That our feelings thrust upward and forward. As Shelley saw the bird singing in evening time he ignored the literary fact that larks are morning birds, which Shakespeare relied upon for his famous debate between Romeo and Juliet over whether the bird they have heard is the nightingale or the lark. ***“What objects are the fountains…What ignorance pain”—Explain. In 1865 science fiction author Jules Verne wrote about an expedition to the moon. Ans: Shelley thinks that, compared to the skylark’s song the marriage songs or songs of victory would be nothing but empty hollow boasting; for, he feels that in those songs joy cannot be fully expressed. He said, "I am coming with you to thepark."2. The poet feels that the moon has grown tired of climbing the heaven and looking upon the earth continuously. The poet expands on this idea in the sixth stanza: The entire atmosphere of the earth, all the one can see and cannot see, depending on the time of day is made greater when the bird’s voice is there. ('cause Whitey's on the moon) Shelley is here trying to represent the bird as an abstract quality of pure joy, a quality so poignantly missing in the humans. What do their roots, their leaves and their twigs do? "I want you to solve this problem," shesaid.​, make sentence by using the following words. Its song has moved the poet so immensely that it seems to him that it has filled the air under the earth with its melodies. Ans: Shelley acknowledges that there are human limitations to experiencing pure as opposed to the skylark. **“When the night is bare…heaven is overflow’d”—Explain the situation imagined by the poet. How does the poet associate this ‘grandeur’ with that of the beautiful things? But they are led to sympathise with the bird for such idealistic activities with the mixed emotions of hopes and fears. Ans: In the poem “To a Skylark” the bird’s pouring out of numbers is compared to a full moon’s shining from above on the ground. Robert Louis Stevenson - 1850-1894. 2. Their leaves go toward the glass.

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